How do you lift a drawing off a page? This complex thought is at the heart of Enrico David’s work. His sculptures, installations, paintings, textiles, and collages are all rooted in a body of drawings. His practice is self-referential.
May/June 2019
Urs Fischer
NEW YORK Gagosian In Jacques Tati’s genre-defying masterpiece Playtime (1967), Mr. Hulot, Tati’s unwitting alter ego, drifts haphazardly through a stylized, ultramodern Paris, interacting with a host of inanimate objects brought to life through technology and camera work within a massive, specially constructed set known as “Tativille.” In many ways, Urs Fischer’s recent exhibition, “PLAY,” with choreography by Madeline Hollander, picks up where Tati left off, but with a major upgrade in technology.
