Haegue Yang

ST IVES, CORNWALL, U.K. Tate St Ives The day I visited Tate St Ives to see “Strange Attractors” (on view through September 26, 2021), nature seemed perfectly aligned with Haegue Yang’s vision—charcoal clouds scowled across the sky as Atlantic rollers thundered deafeningly onto the beach below.

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Alexandre da Cunha

NAPLES, ITALY Thomas Dane Gallery Alexandre da Cunha works in the tradition of the readymade, creating elegant sculptures from cheap and disposable everyday objects (such as mops) that he selects as much for their formal qualities as for their references to labor.

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Soft Persuasion: A Conversation with Beili Liu

The work of Beili Liu, an installation artist based in Austin, Texas, consists of hundreds of not-quite-identical units that construct an architecture of thought with correlatives in lived experience. Although the repetition of objects is a representation of single-mindedness, Liu’s installations leap from obsession and repetition to something profound and expansive, merging the personal with the political.

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Higher Realities: A Conversation with Glenda León

Cuban-born artist Glenda León came of age during Fidel Castro’s regime, so she learned early on to make art from mostly free and cheap stuff. Now dividing her time between Havana and Madrid, León remains a media egalitarian whose odd assortment of materials includes everything from her fingernails, hair, and the sound of her breath to pianos and mountains of sand.

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Isabelle Albuquerque

LOS ANGELES Nicodim Gallery All fantasy, all good theater, requires some suspension of disbelief, a surrender to the moment. Total acceptance of what lies before us is what gives works of art their undeniable power. Isabelle Albuquerque’s work induces that suspension of disbelief, conjuring meaning from metaphor, innuendo, and metamorphosis.

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A Conversation with Nick Hornby

“My practice over the last decade has been a very slow and systematic inquiry into authorship—the critique of authorship, methods of eliminating the personal subjective, and questions of digital reproduction. It led me to cool, calculated Boolean operations and slick, high-production sculptures.”

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