Ursula von Rydingsvard works intuitively, shaping monumental sculpture into tactile experiences that remind us of familiar games and emotions. Some forms, such as those in her 2002 exhibition “On an Epic Scale” at the Neuberger Museum, suggest daily life on a grand scale and also recall Polish values she learned as a child.
March 2003
“globe>miami
Miami Beach A unique artist-curated show…see the full review in March’s magazine.
A Dialogue with Architecture: Carsten Höller
His work blurs the distinctions between sculpture, architecture, and other media….see the full review in March’s magazine
Forum: How Do Sculptors and Architects Collaborate?
Over the last year or so, Sculpture has devoted considerable space to articles on public art. Beginning with this issue, that focus will broaden to reflect the growing sense of connection between sculpture and architecture. Artists who are also architects in their own right, artists who work in architectural forms, and architects whose buildings are
Kendall Buster and Ernesto Neto
Washington, DC While Kendall Buster and Ernesto…see the full review in March’s magazine.
Lawrence Fane
Richmond, VA An offhand remark by artist Calvin…see the full review in March’s magazine.
Architecture & Sculptors: The Rewards, The Frustrations
“The foundation was laid, the crane was there, everything showed up on time. The piece was lifted up, and it sat exactly the way it was supposed to…It came in sections, we assembled it, and there it was.
Susan Graham and Julianne Swartz
Stockbridge, MA In his 1994 novel Sophie’s World…see the full review in January/February’s magazine.
