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June 2002


Laurence Hegarty

June 1, 2002 by Susan Canning

Middleton, CT Disorientation collaborated with an…see the full review in June’s magazine.

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Peter Beeman

June 1, 2002 by Alicia Miller

San Francisco Pete Beeman’s “Prototypes for Spalanzani”…see the full review in June’s magazine.

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Melissa Kretschmer

June 1, 2002 by Collette Chattopadhyay

Los Angeles At Ace Gallery’s cavernous Wilshire…see the full review in June’s magazine.

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Los Carpinteros

June 1, 2002 by Charlene Roth

Los Angeles Los Carpinteros, a trio of Cuban…see the full review in June’s magazine.

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Kan Yasuda

June 1, 2002 by Kay Itoi

Tokyo Japanese sculptor Kan Yasuda has…see the full review in June’s magazine.

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Staging the Istanbul Biennial

June 1, 2002 by Carolee Thea

International biennials like Istanbul have become a major forum for cultural dialogue…see the full review in June’s magazine.

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Making Oxymorons Happen: A Conversation with Liz Larner

June 1, 2002 by Collette Chattopadhyay

Liz Larner’s mid-career survey, presented at the Museum of Contemporary Art in Los Angeles from December 2, 2001 through March 10, 2002, covered the last 15 years of the Los Angeles-based artist’s work. Larner graduated from the California Institute of Arts in 1985 and rose to international prominence during the 1990s.

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Sol LeWitt: Systemic Art Made Visual

June 1, 2002 by Robert C. Morgan

These works demonstrate that the mind and the body do not have to be separated…see the full review in June’s magazine.

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Controlled Passion: A Conversation with Petah Coyne

June 1, 2002 by Jan Garden Castro

“This looks like art,” a tough-talking policeman pronounced, looking around at the fairyland of wax-bathed figures, birds, chandeliers, scarlet and blue feathers, worldly and otherworldly forms. Petah Coyne’s “White Rain” exhibition had a visceral immediacy not easily communicated in photographs.

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Editor's Choice


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    In the Tower: Chakaia Booker: Treading New Ground

  • Maria Lai. A Journey to America

    Maria Lai. A Journey to America

  • David Altmejd: The Serpent

    David Altmejd: The Serpent

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