New York Jane South recently presented a new collection…see the full review in July/August’s magazine.
July/August 2007
“Open Network: Brooklyn”
San Francisco “Open Network: Brooklyn,” curated by Patricia Maloney…see the full review in July/August’s magazine.
Karlis Rekevics: Recent Sculpture
Karlis Rekevics’s generously scaled, weirdly architectural cast plaster constructions are some of the most robust, aggressive, materially expressive sculptures around. They are also among the most evocative and elusive. For all their size, their evident mass and weight, and their rough material palette, Rekevics’s haunting structures refuse to rely solely on the unignorable fact of
“The Uncertainty of Objects and Ideas”
Washington, DC ln this show about uncertainty, one thing…see the full review in July/August’s magazine.
George Schroeder
San Antonio Inspired by the screeching-metal sounds of a…see the full review in July/August’s magazine.
Keiichi Ikegami and Yushi Yashima
Kyoto Keiichi Ikegami explores his own physical condition…see the full review in July/August’s magazine.
Shifting Paradigms: A Conversation with Conrad Shawcross
Addressing subjects on the border of science and philosophy, Conrad Shawcross’s structural and often mechanical sculptures question the empirical, ontological, and philosophical systems that define our lives. While at first appearing rational and functional, his complex systems ultimately deny all rational function and force the viewer down alternate philosophical and metaphysical avenues to deduce a
Michael Zansky
New York True to form, Michael Zansky continues his…see the full review in July/August’s magazine.
Thoughts on Resistance: A Conversation with Jeff and Alina Bliumis
While preparing to interview the Russian-born artists Alina and Jeff Bliumis, who live and work in New York, I involuntarily reflected on my own experience of living in exile. How did it happen that we, who are still young people, have already witnessed major historical shifts, including the rise and fall of regimes, ideologies, and
Defying Expectations: A Conversation with Momoyo Torimitsu
Momoyo Torimitsu says that she is a bit tired of being remembered for Jiro Miyata (1994), a life-sized robot she based on a middle-aged salaryman. But who could forget? Miyata, which Torimitsu had crawl around the streets of Tokyo, Paris, New York, and other cities, brilliantly embodied a hard-working, misunderstood, badly dressed everyman of the post-bubble era