July/August 2006

Game Theory: A Conversation with Patrick Tuttofuoco

Andrea Bellini: Since your first works, including Famiglia (Family, 1998), Criceto (Hamster, 1999), Scooter (1999), and Otto (Eight, 2000), your method has included the involvement of the public, your friends, and your relatives. Why?Patrick Tuttofuoco: I’m specifically interested in the idea of the group, the nucleus, the organism.

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