Andrea Bellini: Since your first works, including Famiglia (Family, 1998), Criceto (Hamster, 1999), Scooter (1999), and Otto (Eight, 2000), your method has included the involvement of the public, your friends, and your relatives. Why?Patrick Tuttofuoco: I’m specifically interested in the idea of the group, the nucleus, the organism.
July/August 2006
July/August 2006
“360: Art in the Round and Bus Obscura”
Pittsburgh The work in this time-based show…see the full review in July/August’s magazine.
Warren Angle
Jenkintown, Pennsylvania Appearing as if it belonged in a…see the full review in July/August’s magazine.
John Van Alstine
New York John Van Alstine’s dramatic slate and…see the full review in July/August’s magazine.
Daniel Duford
Portland, Oregon Daniel Duford, a Portland conceptual sculptor whose…see the full review in July/August’s magazine.
Alexander Archipenko
New York “Alexander Archipenko: Vision and Continuity” is…see the full review in July/August’s magazine.
Victoria Palermo
Hudson, New York As I was walked down Warren Street…see the full review in July/August’s magazine.
“Treasures from the Royal Tombs of Ur”
Saint Louis After years of teaching students to admire…see the full review in July/August’s magazine.
Jason Peot
Chicago Jason Peot builds small wooden structures…see the full review in July/August’s magazine.