Brooklyn Anita Glesta focuses on the fragmentary…see the full review in January/February’s magazine.
January/February 2005
“Open House”
Brooklyn ln “Open House,” Charlotta Kotik and…see the full review in January/February’s magazine.
Three Rivers Biennial and Wiktor Szostalo
St. Louis Jill Downen, Adam Frelin, and Kim Humphries…see the full review in January/February’s magazine.
“Into My World”
Ridgefield, Connecticut These nine sculptors are connected by…see the full review in January/February’s magazine.
Michael Lucero
Atlanta “The Cast” marks Michael Lucero’s rediscovery…see the full review in January/February’s magazine.
“Disparities and Deformations: Our Grotesque”
Santa Fe For the past 15 years or so…see the full review in January/February’s magazine.
Nature into Art: A Conversation with Emilie Benes Brzezinski
One of Gianlorenzo Bernini’s most moving sculptures represents Daphne, pursued by Apollo, being transformed into a laurel tree….see the full feature in January/February’s magazine.
Tony Oursler’s Uncanny Drama
As a member of the generation that was raised on television and a witness to the ongoing expiosion of new electronic media, Tony Oursler realizes that technology is capable of controlling and even dehumanizing us as a race….
Working in the World: A Conversation with The Art Guys
Jack Massing and Michael Galbreth met in 1982 while they were students at the University of Houston. They began making work together the following year, and, after graduating in 1994, they started to exhibit together under the nom de guerre The Art Guys….
