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January/February 2004


Playing with Fire: Armand Vaillancourt

January 1, 2004 by John K. Grande

During the summer of 1987, while visiting Quebec City, I first met Armand Vaillancourt as he was working on Drapeau Blanc, a monumental sculpture composed of over 92 tons of calcite brought in from the Saguenay Lac-St.

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Raymond Saá

January 1, 2004 by Ann Albritton

Sarasota Raymond Saá’s room-sized installation…see the full review in January/February’s magazine.

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Materialized Expression: The Sculpture of Liam Gillick

January 1, 2004 by Alicia Miller

The work of Liam Gillick needs to be entered through the totality of his practice. His artwork is intimately interwoven with his work as a critic, writer, curator, and designer. What he makes for the gallery space manifests, explicates, and proposes a complex of ideas that he is concerned with in all aspects of his

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“Blickachsen IV”

January 1, 2004 by Stefanie Bickel

Bad Homburg, Germany Slowly but surely it is becoming…see the full review in January/February’s magazine.

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“One Hand Clapping”

January 1, 2004 by Denise Carvalho

New York One of the main points of…see the full review in January/February’s magazine.

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Dialogue: Waltercio Caldas

January 1, 2004 by Collette Chattopadhyay

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Focus: Willie Bester

January 1, 2004 by Paul Edmunds

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“Up in Arms”

January 1, 2004 by Judith Page

New York The phrase “weapons of mass destruction”…see the full review in January/February’s magazine.

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Tomoko Takahashi

January 1, 2004 by Collette Chattopadhyay

Los Angeles Tomoko Takahashi’s mammoth installation…see the full review in January/February’s magazine.

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  • David Altmejd: The Serpent

    David Altmejd: The Serpent

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