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December 2004

December 2004

Dispatch: “Public/Private—The Second Auckland Triennial”

December 1, 2004 by sculpturemag

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Wellington Reiter’s Visitor Station for the DeCordova Museum

December 1, 2004 by Marty Carlock

Lincoln, Mass. Frank Gehry started it: an explosion of architectural forms, a divorce between form and function that freed the designer to experiment with sculptural qualities. The new visitor station at DeCordova Museum and Sculpture Park, designed by Wellington Reiter, is an understated version of Gehry’s modus operandi, but we have to count it in

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Suspended in Time: A Conversation with Yolanda Gutiérrez

December 1, 2004 by John K. Grande

Yolanda Gutiérrez, a young Mexican artist, has already exhibited in Paris at the prestigious Jeu de Paume and at the Galerie Yvonamor Palix….see the full review in December’s magazine.

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Hepworth, Hirst and Hatoum in Tehran

December 1, 2004 by Homa T. Nasab

How is it possible to bring an exhibition of 20th-Century art whose fundamental objective predominantly has been to challenge if not undermine authority to a country with one of the most restrictive and inhibitive societal systems in the world?

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Paul Arensmeyer

December 1, 2004 by sculpturemag

Portland, Oregon

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Steve Reber

December 1, 2004 by sculpturemag

Gary, Indiana

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Michal Rovner

December 1, 2004 by sculpturemag

New York

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Daisy Youngblood

December 1, 2004 by sculpturemag

New York

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The Buck Stops Here: A Conversation with Ken Little

December 1, 2004 by Kay Whitney

For the past 35 years, Ken Little has been working with a wide range of materials and methods including ceramics, cast iron, bronze, neon, belts, shoes, and dollar bills….see the full feature in December’s magazine.

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Jeff Koons

December 1, 2004 by sculpturemag

New York

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Editor's Choice


  • In the Tower: Chakaia Booker: Treading New Ground

    In the Tower: Chakaia Booker: Treading New Ground

  • Maria Lai. A Journey to America

    Maria Lai. A Journey to America

  • David Altmejd: The Serpent

    David Altmejd: The Serpent

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