RICHMOND Anderson Gallery Droll and crudely elegant, the nine clay sculptures in “Arlene Shechet: That Time” demonstrate the ubiquity of narrative. The works emerge from instinctual manipulations of clay that occur slowly in the studio through attentive play with gravity, juxtapositions of quirky shapes, and flirtations with contradiction and failure.
Archive
The Life Through Time and Space: A Conversation with Tatsuo Miyajima
Since the 1980s, Tatsuo Miyajima, who lives and works in Ibaraki, Japan, has been making works that address time. Numbers made of LEDs count from one to nine or from nine to one; zero is not shown.
Myths of Fantastical Life: A Conversation with Meeson Pae Yang
Meeson Pae Yang understands the power of repetition. While one tree seen in isolation can be an object of breathtaking beauty, a cluster offers a very different visual and emotional experience, built up of the variations that occur across species, the contracting and expanding spaces between forms, and the fragmentation of light and ensuing tonal
Paradise Lost: A Conversation with Anna Eyjólfsdóttir
In 2000, Anna Eyjólfsdóttir, president of the Reykjavik Sculptors’ Association, invited me to cover a couple of sculpture exhibitions celebrating Reykjavik as the European Capital of Culture. In the following years, this city of 120,000 witnessed a remarkable building boom.
Public Art in Council Bluffs
Abraham Lincoln visited Council Bluffs in 1859 and peered across the broad Missouri River valley toward America’s fast-changing frontier. After becoming president, he designated the bustling trade center as the eastern terminus of the first transcontinental railway, and it would go on to become the nation’s fifth largest rail center.
Costantino Nivola
EAST HAMPTON, NEW YORK The Drawing Room Trained as a mason in Sardinia, where he was born and raised, Costantino Nivola (1911–88) embraced carving and casting throughout his career. Though this background equipped him with a profound knowledge of traditional materials and techniques, he never shied away from exploring a wide range of resources.
Pat Hoffie and the Sublime Impossible
In a lush Japanese forest, adjacent to the Yokohama Zoo, Pat Hoffie’s Harvester for Disappearing Dreams of Wildness invited participants to trap and share the essence of captive animals’ dreams. Gathered in remote funnels placed throughout the forest, these dreams, caught by viewers standing on a mechanism powered by bodyweight, connected animals and humans through
Richard Hunt
CHICAGO McCormick Gallery Richard Hunt’s recent exhibition of rarely seen early sculptures and works on paper was a remarkable mini-retrospective of pieces never exhibited outside his studio in Benton Harbor (Michigan) since they were created in the mid-1950s.
Charles Ray
LOS ANGELES Matthew Marks Gallery Figurative sculpture has been a mainstay of Charles Ray’s work since his early days as an artist, when he pinned his elevated body against the wall with a board (Plank Piece I and II, 1973) and arranged himself naked on metal shelves, merging the hard forms and surfaces of Minimalism with their antithesis, flesh.
