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Peter Beeman

June 1, 2002 by Alicia Miller

San Francisco Pete Beeman’s “Prototypes for Spalanzani”…see the full review in June’s magazine.

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Melissa Kretschmer

June 1, 2002 by Collette Chattopadhyay

Los Angeles At Ace Gallery’s cavernous Wilshire…see the full review in June’s magazine.

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Los Carpinteros

June 1, 2002 by Charlene Roth

Los Angeles Los Carpinteros, a trio of Cuban…see the full review in June’s magazine.

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Kan Yasuda

June 1, 2002 by Kay Itoi

Tokyo Japanese sculptor Kan Yasuda has…see the full review in June’s magazine.

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Staging the Istanbul Biennial

June 1, 2002 by Carolee Thea

International biennials like Istanbul have become a major forum for cultural dialogue…see the full review in June’s magazine.

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Making Oxymorons Happen: A Conversation with Liz Larner

June 1, 2002 by Collette Chattopadhyay

Liz Larner’s mid-career survey, presented at the Museum of Contemporary Art in Los Angeles from December 2, 2001 through March 10, 2002, covered the last 15 years of the Los Angeles-based artist’s work. Larner graduated from the California Institute of Arts in 1985 and rose to international prominence during the 1990s.

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Sol LeWitt: Systemic Art Made Visual

June 1, 2002 by Robert C. Morgan

These works demonstrate that the mind and the body do not have to be separated…see the full review in June’s magazine.

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Controlled Passion: A Conversation with Petah Coyne

June 1, 2002 by Jan Garden Castro

“This looks like art,” a tough-talking policeman pronounced, looking around at the fairyland of wax-bathed figures, birds, chandeliers, scarlet and blue feathers, worldly and otherworldly forms. Petah Coyne’s “White Rain” exhibition had a visceral immediacy not easily communicated in photographs.

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Stephen De Staebler’s “Figure Columns”

May 1, 2002 by Peter Selz

The fractured human figure has been the subject of Stephen De Staebler’s sculpture for many years. In a 1998 exhibition at the Franklin Parrasch Gallery in New York he reduced this image to only the human leg.

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The Game as a Narrative of the Self: The World of Alex Pinna

May 1, 2002 by Andrea Bellini

Milan doesn’t seem like an Italian city. The austerity of the architecture, the fog, the frenetic work pace reminds one more of a cold Northern European metropolis. In Milan, people have no time to waste, and they are definitely in no mood to fool around: the financial centers set their rules, political potentates organize their

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Editor's Choice


  • In the Tower: Chakaia Booker: Treading New Ground

    In the Tower: Chakaia Booker: Treading New Ground

  • Maria Lai. A Journey to America

    Maria Lai. A Journey to America

  • David Altmejd: The Serpent

    David Altmejd: The Serpent

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