Los Angeles Meg Cranston’s newest sculpture is…see the full review in December’s magazine.
Archive
Eduardo Chillida
West Hollywood On August 22, the preeminent…see the full review in December’s magazine.
Tony Smith: In the Ether of Solids
Smith perpetually explored the variations of the invention of space through form…see the full review in December’s magazine.
Swept Away: Carl Andre’s Grave and Early Earthworks
The “quintessential Minimalist” also participated in the fracturing of that order….see the full review in December’s magazine.
Eva Redux or What Do We Owe Eva Hesse?
A retrospective presents Hesse’s idiosyncratic materials and emotionally nuanced forms….see the full review in December’s magazine.
Cosmological Shadows: A Conversation with Bill Vazan
Mirages (Delta de Métis), 2002. Granite, 5 boulders, 15 ft. high. Site-specific work at the juncture of the Mitis and St. Lawrence Rivers. Physically imprinted on the land surfaces of five continents over the past 30 years, Bill Vazan’s land art projects originated in the conceptual and Minimalist art tendencies of the 1960s.
Assaulting the Surface: A Conversation with Sarah Lovitt
Stairway, 2002. Wax suspended by filament, 32 x 10 X 8 in. each. Photo: Courtesy Mitchell-Innes & Nash, New York. Georges Bataille described eroticism as “life ascending to the point of death.” Sarah Lovitt traces that ascent, crafting embodiments of physical distress redeemed through spiritual hope.
“Big Head: Ceramic Sculpture on a Heroic Scale”
San Antonio Michael Lucero and the late Robert…see the full review in November’s magazine.
Gwangju Biennial
Gwangju, Korea Biennials have become labs in which…see the full review in November’s magazine.
Barnett Newman
Philadelphia This retrospective of Barnett…see the full review in November’s magazine.