Pittsburgh The Mattress Factory never fails to amaze…see the full review in October’s magazine.
Archive
George Sugarman
New York George Sugarman (1912-99) began his career…see the full review in October’s magazine.
Courtney Smith
New York Courtney Smith’s “Tongue and Groove: Movable Sculptures”…see the full review in October’s magazine.
Jon Kessler
New York As a statement against war…see the full review in October’s magazine.
Denise Marika
Cambridge, Massachusetts Denise Marika’s video sculpture has generally…see the full review in October’s magazine.
Anders Ruhwald
Chicago What happens when the domestic plunges itself…see the full review in October’s magazine.
Susana Lescano
Miami ln Latin America, Constructivism is much more…see the full review in October’s magazine.
Robert Brady
Palo Alto During the 1970s and ’80s, San Francisco…see the full review in October’s magazine.
Berlin Biennale
Berlin “Most people when given the choice of”…see the full review in October’s magazine.
Stephen Daly: Sculpture as Witness
Many of us are familiar with the Stage Manager, in Thornton Wilder’s Our Town, who observed and narrated the daily events in Grover’s Corners, New Hampshire. Historically, references to this concept of a “witness” or “observer” appear in ancient writings as far back as the Old Testament (Genesis 31: 51–52).
