New York “El Museo’s Bienal: The [S] Files”…see the full review in December’s magazine.
Archive
“Tipping Point”
Boston What small (or large) thing changes the…see the full review in December’s magazine.
Chakaia Booker
Washington, DC Scale and height accounted for at…see the full review in December’s magazine.
Bryan Nash Gill
Windsor, Connecticut The central tension in Bryan Nash Gill’s…see the full review in December’s magazine.
Claire Falkenstein
West Hollywood, California American-born Claire Falkenstein emerged on…see the full review in December’s magazine.
Richard Pettibone
Laguna Beach, California By turns witty, whimsical, and devilishly wry…see the full review in December’s magazine.
Cheryl Ekstrom
Culver City, California More than three years ago, Cheryl Ekstrom…see the full review in December’s magazine.
James Turrell
Yorkshire, U.K. James Turrell’s installation in Yorkshire…see the full review in December’s magazine.
State of the Art: Public Art in Boston
Many cities have successfully used art and culture as a vehicle for urban revitalization and pay special attention to neighborhood identity through public art programs. Boston is no exception to this development, although a number of initiatives are sponsored by private organizations.
Removed Monuments / Shifted Narratives
In 1979 Michael Asher removed a statue of George Washington from the Art Institute of Chicago entrance and placed it in Gallery 219 as part of an installation. His act posed questions regarding our relationship to history and raised one of the most relevant issues of art theory and practice of the time: the criticism
