Lee C. Imonen: Nature, Technology, and Myth

Lee C. Imonen’s recent public sculpture is rich in references to nature, architecture and technology, myth, and the artist’s memories of childhood stories. Broadly cultural as well as personal, Imonen’s sculpture is also art historical, relating not only to 20th-century Modernist practice from Constructivism to di Suvero, but also to the Romantic cult of the

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Antony Gormley

London The Hayward Antony Gormley’s presence in London last summer was difficult to ignore, with a specially commissioned installation, Event Horizon, signalling the opening of his exhibition from the city’s skyline. This ambitious urban sculpture positioned casts of the artist’s body on rooftops and walkways around the concrete jungle inhabited by The Hayward.

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