Seattle ln Mary Poppins, when the supernatural nanny takes…see the full review in December’s magazine.
Archive
Leon Ferrari
Buenos Aires “Diverse” is perhaps the best way to refer…see the full review in December’s magazine.
Beverly Pepper: Primal Potential
Majestic, monumental, yet scarcely 10 inches high, Beverly Pepper’s “Explorations in Stone” may be uncharacteristically small works, but they have her signature robust stature, conveying a primitive energy and raw power. Photographed without scale markers, these marble, granite, alabaster, and onyx sculptures could be six or 60 feet high—and as Pepper is famous for her
Alwar Balasubramaniam: Uncharted Territories
Seeing is believing. In Alwar Balasubramaniam’s case, seeing and believing are two separate acts, depending on your discernment and perception. His prints, paintings, and sculptures, with their constant plays on the visible and invisible, illusion and certainty, challenge notions of the real and the unreal.
Sculpture as a Symphony: A Conversation with John Henry
John Henry is a prominent sculptor with large-scale outdoor installations on five continents and work in many museums and private collections. His sculptures recall Constructivism, but while the Russians made visionary drawings and models, Henry has built more than 2,000 architectonic structures from long shafts and hollow plates of steel.
“Material Terrain”
Bellevue, Washington The third floor of the 36,000-square-foot…see the full review in May’s magazine.
Keith Tyson
New York The first glimpse of Keith Tyson’s…see the full review in May’s magazine.
Meg Webster’s Nature/Technology
Long before it was fashionable, when green was more commonly associated with the color of golf pants, Meg Webster was making work that reflected her interest in ecology, recycling, and the environment. In the late 1980s, taking a cue from Land Art and Minimalism, she began to explore the complicated relationship between nature and technology
Richard Deacon: Beyond Explanation
Last winter at L.A. Louver, Richard Deacon, in association with Matthew Perry, premiered Dead Leg (2007), a new large-scale sculpture composed of twisting, elongated sections of oak and custom-fabricated, stainless steel couplings, and the work later traveled to the Portland Art Museum.
Nobuhito Nishigawara
Seattle Ceramic sculptor Nobuhito Nishigawara was born in…see the full review in November‘s magazine.
