German-born, Los Angeles-based Manfred Müller is best known for his installations: church pews in Mexico, painted soot-black and reconfigured so that the seats collide elegantly, or a “desk,” reconstituted from found office materials, jutting out of one window and re-entering through another.
April 2008
April 2008
Mimmo Roselli
Florence “Lineare” or “Line,” Mimmo Roselli’s recent two-part…see the full review in April’s magazine.
Victoria Palermo
Dallas Victoria Palermo rethinks the natural environment through…see the full review in April’s magazine.
Caroline Rothwell
Sydney Caroline Rothwell’s small glittering metal sculptures have…see the full review in April’s magazine.
Playing with Light and Space: A Conversation with Soo Sunny Park
Soo Sunny Park’s light-filled installations are simultaneously visceral and immaterial. They encourage viewers to explore the sensual effects of light and shadow, geometry, the natural landscape, and the wonders of physics. Her 2007 exhibitions included solo shows at the Fire House Gallery in Burlington, Vermont, the Knowlton School of Architecture in Columbus, Ohio, and Reeves
San Francisco: Sculpture in the Bay Area
Situated on the edge of San Francisco at Pier 14, flanked by the Bay Bridge and the Ferry building, by Claes Oldenburg and Coosje van Bruggen’s unmistakable bow and arrow monument, Cupid’s Span, and Mark di Suvero’s 70-foot kinetic sculpture, Sea Change, Louise Bourgeois’s Crouching Spider is poised and seemingly ready to march into the city.
“Natural Inclinations”
McLean, Virginia “We are all tenants on the planet,” says Marc Robarge…see the full review in April’s magazine.
Polly Apfelbaum
Richmond, Virginia ln Lovekraft, the second in a trilogy of…see the full review in April’s magazine.
The Dream of the Moving Statue
Early in 2002, a photo was published in the Guardian of a nude figure lying among the debris of the World Trade Center in the Fresh Kills landfill on Staten Island. The ambiguities in this image are manifold.
Peter Rogiers
Los Angeles Reconsidering the sculpturaI repertoire that extends from…see the full review in April’s magazine.