Numark Gallery Washington, DC Yuriko Yamaguchi, Metamorphosis #84-89, 1999. Mixed media, each vertical row approximately 70 x 27 x 8 in. Nuance, paradox, enigma come to mind when viewing Yuriko yamaguchi’s recent show “Metamorphosis:” nuance in the way she handles materials and coaxes meaning from her hybrid forms, paradox in the way she sets up
Jedd Novatt
LONDON Waddington Custot American sculptor Jedd Novatt, who works between his studios in Paris and the industrial city of Eibar in northern Spain, close to Bilbao, describes his early experience of diving as character building and an important influence on how he sees and experiences space, even on dry land.
Tabor Robak
WASHINGTON, DC von ammon co. “MENTAL”—the title alone encapsulates how many people identify the zeitgeist in this dystopian era, a crisis, in part, of individual freedom and choice that 20th-century existentialist Jean-Paul Sartre predicted in Being and Nothingness. New York-based Tabor Robak updated the theme with wily poignancy in his recent show.
Sarah Lucas: Naked Honesty
Sarah Lucas has a feeling for materials that quite simply takes your breath away, a formidable command over sculptural form, a knack for striking compositions and juxtapositions, an abiding interest in charged and often politically incorrect content, and a deliciously wicked sense of humor.
Supremacía Material: Una Conversación con Julia Clutterbuck
Desmaterializar, descartar, recuperar, romper, arrugar—palabras que nos acercan al trabajo de Julia Clutterbuck, una joven artista que plantea escenarios abstractos compuestos a partir de composiciones superpuestas de materia.
A Conversation with Luca Massimo Barbero on Lucio Fontana
“Lucio Fontana. Walking the Space: Spatial Environments, 1948–1968,” which opened on February 13 at Hauser & Wirth Los Angeles (the gallery is closed until further notice), is the first comprehensive presentation in the U.S. of the late Italian master’s groundbreaking Ambienti spaziali (Spatial Environments).
Fleeting Little Thoughts: A Conversation with Katie Paterson
On paper, the works of Scottish artist Katie Paterson might sound fanciful, overambitious, even unachievable. She has connected a telephone line to a glacier so listeners could ring up and hear it melting; beamed Beethoven’s “Moonlight Sonata” to the moon and back via Morse code and fed the altered version, distorted by craters and other
“By the People”
WASHINGTON, DC Various locations In a city chockablock with monuments, “By the People” alternatively mounts ephemeral public art. Organized by the nonprofit organization Halcyon, which also sponsors residencies for social practice artists and social entrepreneurs, the 2019 “By the People” festival (its second installment) aimed to present “artwork that sparks dialogue and builds bridges within and across communities.”
Alienating Effects: A Conversation with Guillaume Leblon
Guillaume Leblon’s works are difficult to categorize, occupying the space in between things. He considers his sculpture and installations to be like “fleeting memories, blurring the boundaries of real and surreal,” with “a strong and seductive material presence.”
States of Flux: A Conversation with Jes Fan
Jes Fan’s work unspools complexities, unifies diversities, and creates new forms of beauty. His unique vision includes abstract systems that allude to gender and racial distinctions as well as to outer/inner structures, merging art, science, philosophy, and cultural histories.
