For nearly five decades, Didier Vermeiren has been producing works that deal with sculpture’s long-term subordinate—the plinth. His approach, which is rigorous, investigative, and hinges on traditional materials and processes, involves exploring structure, placement, distribution, and links with the history of sculpture.
Beautiful Returns: A Conversation with Amanda Williams
Artist and architect Amanda Williams grew up in the Auburn Gresham neighborhood on Chicago’s South Side. On a map produced by the federally sanctioned Home Owners’ Loan Corporation (HOLC), this area was colored red, designating residents as ineligible to receive federal housing loans—a discriminatory, racially motivated practice known as “redlining.”
We Have Always Been Here: A Conversation with Jonathan Baldock
Baldock’s interests are rooted in the unseen, places where myth manifests itself. “Touch Wood,” his current exhibition at Yorkshire Sculpture Park’s Weston Gallery, draws on beliefs and rituals that have brought people together from time immemorial.
Like a Sculpture: A Conversation with Hiroshi Sugimoto
Hiroshi Sugimoto makes little distinction between the two- and three-dimensional. Photography, sculpture, and architecture are all part of his project to find “a creation of human consciousness.”
Gary Simmons
MIAMI Peréz Art Museum The artist’s questioning of how our shared past is remembered and which histories we’ve been taught to forget—why and by whom, and what is at stake—was especially timely in its presentation in a state whose governor and extremists have been leading the charge for the destruction of education and a war on truth through censorship, book banning, and whitewashing how American history is taught.
Ryan Villamael
SINGAPORE AND MANILA Esplanade Singapore and Silverlens Gallery Villamael inflects spaces, locations, and structures. Like a form of drawing in space, his work is sculpture and non-sculpture; architecture and non-architecture.
Courting Contradiction: A Conversation with Catalina Ouyang
Engaging critically with precarity, power, and history, Catalina Ouyang challenges images, image-making, material assumptions, and dominant narratives with humility as well as deep visceral and theoretical conviction. Rather than signaling finite meaning, their sculptures engage the flow and erosion of ideas and intensities harbored in any constellation of things.
Suki Seokyeong Kang
NEW YORK Tina Kim Gallery Chunaengmu dancers may have been confined to their mats like birds in cages, but as Kang sees it, they also enacted singular, bold gestures that defied status and allowed them to look royalty right in the eye.
Archetypal Things: A Conversation with Martin Boyce
Scottish artist Martin Boyce draws on the imagery of everyday urban living to create sculptural and wall-based works that conflate and confuse notions of exterior and interior, natural and manufactured.
Antony Gormley
NEW YORK White Cube Like a three-dimensional Mondrian painting through which one can move—navigating the horizontal and vertical branches that pierce the space—the work forces viewers to stop and carefully pick a path.
