Sculptor and social practice artist Ramekon O’Arwisters has lived in the Bay Area since the early 1990s, but he was born and raised in North Carolina. In 2012, his deep connection to African American craft traditions led him to develop the Crochet Jam, an experience of shared making using outsize crochet hooks and strips of
Chiachio & Giannone: Love is in the Air
Familia “queer,” tal como ellos mismos se definen, Daniel Giannone y Leo Chiachio son una pareja de artistas argentinos unidos no solamente por el amor que se profesan el uno al otro sino por su amor al arte, llevando a cabo hace décadas una obra conjunta que los tiene como protagonistas—juntos a sus tres “hijos mascotas”—donde la pintura deviene bordado.
Sarah Sze: Fractured Infinities
Little things mean a lot to Sarah Sze. In her kaleidoscopic installations teeming with found objects, disjunctive arrays of familiar ephemera—tied, clamped, taped, and cantilevered with deft architectural and engineering savvy—hold aloft fragile universes. Sze’s work is about the finite and the infinite, the mundane and the sublime, time and timelessness.
Nicole Eisenman: Walking Together
Until recently, Nicole Eisenman was best known as a figurative painter. Crafted with thick painterly brushstrokes, the bodies in her paintings oscillate between representation and abstraction, bright colors intertwined with neutrals and, more often than not, the pallid yellow skin tones we associate with seasickness.
A Conversation with Shirazeh Houshiary
In her paintings, sculptures, animations, and site-specific installations, Iranian-born artist Shirazeh Houshiary often employs a process of meticulous repetition in order to create forms reminiscent of webs or networks. While her paintings weave together minute lines of words in Arabic script, generating abstract waves in pictorial space, her newest sculptures, built from glass bricks, physically
“Hinge Pictures: Eight Women Artists Occupy the Third Dimension”
NEW ORLEANS Contemporary Arts Center “Hinge Pictures: Eight Women Artists Occupy the Third Dimension” took its starting point from a few lines in Duchamp’s La Boîte Verte (The Green Box)—the companion piece to his Bride Stripped Bare By Her Bachelors, Even otherwise known as The Large Glass—published in 1934: “Perhaps make / a hinge picture.
Kara Walker
LONDON Tate Modern Kara Walker’s Fons Americanus, created for Tate Modern’s Turbine Hall, is a brilliantly trenchant and brutal anti-monument to Britain’s shameful, often overlooked role in the slave trade.
Vessels of Life: A Conversation with Manav Gupta
Manav Gupta affirms the age-old sanctity of earth and clay, assembling everyday objects made by potters from across India to create huge installations that convey hope, passion, and the journey and transience of life.
Arlene Shechet
NEW YORK Pace Gallery The 14 large sculptures in the suggestively titled “Skirts,” Arlene Shechet’s recent exhibition, appear to have both hidden and overt agendas. The title word, as noun and verb, conveys ideas of outskirts and borders, as well as dodgy movement; it also describes an item of female clothing and can double as (disrespectful) slang for women themselves.
Tremenheere Sculpture Gardens: Collaborating with Nature
In a 1972 Artforum essay, Robert Smithson observed that “when a finished work of 20th-century sculpture is placed in an 18th-century garden, it is absorbed by the ideal representation of the past, thus reinforcing political and social values that are no longer with us.”
