Marfa, TX Richard Long, Sea Lava Circles, 1988. Icelandic rocks, 13.5 ft. dia. Donald Judd Estate, Todd Eberle C 1993. No matter how loud political art shrieks against it or how determined revisionists are to denigrate its formal qualities, Minimalism will not die.
Poetry Out of Chaos: A Conversation with Judy Pfaff
Judy Pfaff’s installations confront sculptural and architectural concepts-mass, scale, inner and outer space, multiple perspectives-yet they also contain raw emotional and sensory chords that may surprise and confuse viewers. Born in London, Pfaff earned a BFA from Washington University in St.
Stone Mystery or Malaise?
Louise Bourgeois, Nature Study, 1986. Marble, 33 x 28 x 21.5 in. Janet Fleisher Gallery, Philadelphia. Stone is both a burden and a source of inspiration for sculptors because it carries with it associations of permanence, purity, monumentality, beauty, and decoration.
Negotiating Boundaries: inSITE97
Five artists discuss their explorations of the U.S.-Mexico border through sculptures and installations responding to universal, political, and conceptual issues …see the full review in February’s magazine.
Public Art in Brazil
The cities of Rio de Janeiro, Brasilia, Recife, Olinda, and São Paulo offer a range of public sculpture characterized by local and international influences …see the full review in February’s magazine.
Dispatch: Artfront
Philadelphia Jeffry Faust and Ray Young, Post and Beam, 1997. Mixed-media installation. One window at a time, Philadelphia is being transformed. Where once graffiti reigned as the dominant art form, a different vision now confronts those who by chance or design find themselves encountering some very different marks on the city’s facade.
