Houston The Glassell School of Art, Museum of Fine Arts “A Survey, The Poetics of Form” is a remarkably clear-thinking exhibition that offers a perspective on nearly 20 years of work by Dallas artist Linda Ridgeway… see the print version for the full review.
“Elsewhere”
Pittsburgh Carnegie Museum of Art “Elsewhere,” an exhibition of models and photographs by five artists ranging from the up and coming to the well established, touched on the relationship of artistic activity to the finished… see the print version for the full review.
Yann Kersalé
Hong Kong Museum of Hong Kong (with Galerie Enrico Navarra) Often referred to as a “sculptor of light,” French artist Yann Kersalé has been well-known in his native country for over a decade… see the print version for the full review.
“Street Art”
Dublin Temple Bar The Temple Bar area in Dublin, which used to be a cheap and cheerful artistic quarter, has undergone massive redevelopment… see the print version for the full review.
Józef Szajna
Oroñsko, Poland The Castle of Pomeranian Princes in Szczecin The Polish Sculpture Center’s exhibition… see the print version for the full review.
The Sculpture of Winifred Lutz: Perception’s Nature
Correspondence/Congruence (Paradigm), 1995. Wood, fabric, cast stone, and pigment, (central form) 10.5 ft. high x 30 ft. dia. Contemporary Arts Center, Cincinnati. Winifred Lutz’s installations have established her work internationally in the last dozen years. The recent retrospective of her sculpturesat Moore College of Art and Design’s Levy Gallery in Philadelphia, titled “Place of Nature,
Richard Tuttle: No Way You Can Frame It
replace the abstract picture plane II, 1997. Cast and welded aluminum, marble, 168 in. high. Guido Baselgia / Collection Kunsthaus Zug All of Richard Tuttle’s work originates in the form of theoretical questions. Is it possible to have an object that is an abstraction yet that can also stand in for some concrete object or
