San Francisco Braunstein Quay Gallery The term “ambulatory schizophrenia,” which describes a state of functioning well enough to get by… see the print version for the full review.
Gay Outlaw
San Francisco Refusalon Countering Minimalism’s vogue is a line of dissent stretching from Clement Greenberg’s essays to Karen Finley’s recent performance piece… see the print version for the full review.
Robert Grosvenor
New York Paula Cooper Gallery There has always been something bewitching about Hobert Grosvenor’s sculpture… see the print version for the full review.
Catherine Widgery: Lost Sense
Catherine Widgery’s sculpture eloquently addresses the devastation of the environment and the dichotomy of nature and culture …see the full review in July/August’s magazine.
Nancy Grossman: Opus Volcanus
Opus Volcanus, 1994. Leather, wood, metal, rubber, acrylic, 50 x 80.125 in. Photo: Larry Lamay. The challenge in coming to terms with the art of Nancy Grossman is an internal one. To see one of her ferocious life-size heads, bound in black leather, zippered-up, with protruding features and gnarled teeth, all exquisitely carved and crafted,
The Legacy of Alexander Calder
Alexander Calder in his Roxbury studio, 1941. July 22, 1998, will mark the centenary of Alexander Calder’s birth, and it is time to assess Calder’s legacy to sculpture. A current retrospective at the National Gallery of Art in Washington, D.C.,
