New York art et industrie Bradley Sunnarborg, Heroic Vehicles, 1998. Mixed media. lnstallation view: foreground, Sometimes I Can’t Catch My Breath, Sometimes I Can’t Hold lt With cast iron as the main ingredient, Bradley Sunnarborg’s refined yet unabashedly industrial sculptures sit rather pretty (and firmly) and beg a closer look.
Michel Gerard
New York Alexandre de Folin Gallery The French sculptor Michel Gerard moved to New York in 1989, and his new body of work addresses, in poetic fashion, the ties between memory and his experience in America.
Judy Moonelis
New York John Elder Gallery Judy Moonelis, Magnetic Touch (detail),1998. Mixed media. 84 x 9x9in.overall. The whole is greater than the sum of the parts, so the old saying goes. But sometimes the parts can convey the whole.
James Higdon, Stacey Chinn
St. Louis A.D. Brown Building Stacey R. Chinn, Untitled, 1997-98. Mixed media, installation view. The recent popularity of toy-themed sculptures in no way prepares one for James Higdon’s series of works titled So Much, So Many.
Gary Keown
New Orleans The Contemporary Arts Center Glancing in the mirror at a woman stepping onto a stair landing, the protagonist of Charlotte BrontesViIIette realizes almost instantly that she has seen herself for the first time “as others see her.”
Contemporary Outdoor Sculpture 5
Exeter, NH Moses-Kent House Lucy Hodgson, Steeplepeepers, 1998. Wood, shingles, and maple saplings, 10 x I ft ln its fifth year, the summer sculpture show on the grounds of the Victorian Moses-Kent House in Exeter N.H.
Tony Oursler
District of Columbia Video Dolls with Tracey Leipold Hirshorn Museum and Sculpture Garden Tony Oursler. Side Effects,1999. Mixed media with video projection. Performances by Tracy Leipold, 68.5 x 22.75 x 9.5 in. Tony Oursler’s recent exhibition at the Hirshhorn Museum announced itself with a jangle of human voices that sounded like a Hollywood version at
Jill Weinstock
San Francisco
Andy Goldsworthy
Los Angeles
Tim Hawkinson, Jannis Kounellis
Los Angeles
