Lincoln, MA DeCordova Museum and Sculpture Park ls holographic art sculpture?… for the full review see the print edition of May 1999’s Sculpture magazine.
Dispatch: Hearing the Noise: Revolution
Liverpool International Symposium on Electronic Art (isea98) Luke Jerram, Retinal Memory Volume, 1997. View of installation. Liverpool and Manchester, the cradles of the Industrial Revolution, experienced yet another upheaval last fall, the Ninth International Symposium on Electronic Art.
David Nash
New York Galerie Lelong ln 1968, at the age at 22 and shortly after finishing art school in London, David Nash bought a chapel and attached schoolhouse in Blaenau Ffestiniog, North Wales… see the full review in the print edition of May 1999’s Sculpture magazine.
Brent Crothers
Baltimore Galerie Francoise, E.S.F. Brent Crothers’s recent show heralded new ways of expressing his love of wood by combining the material with copper, aluminum, and rubber… for the full review see the print edition of May 1999’s Sculpture magazine.
Ann Sperry
Yonkers, NY Hudson River Museum ln the opening passages of The History of Gardens, Christopher Thacker identifies gardens with icebergs… see the print edition of Sculpture magazine for the full review.
American Sculpture Tour: Philadelphia
The first article in a new series, American Sculpture Tour, focuses on the diverse sculpture of Philadelphia, a city with a unique history and a dynamic spirit…see the full review in May’s magazine.
John Chamberlain
New York Pace Wildenstein Since he made his mark on the art world in the late ’50s, John Chamberlain has remained an eminently ingenious artist… for the full review see the print edition of May 1999’s Sculpture magazine.
Fabrizio Plessi
San Diego Museum of Contemporary Art One of Europe’s foremost video artists, Fabrizio Plessi, who came to prominence in Italy during the 1970s, presented five large-scale installations in an exhibition that premiered at the Guggenheim Museum SoHo in June 1998 and traveled to San Diego in November… see the print edition in May 1999’s Sculpture
Skilled Labor
After a century of experimentation with material and conceptual definitions of sculpture, artists are integrating those ideas with the notion of sculpture as craft-object…see the full review in May’s magazine.
