In 1987, when the International Sculpture Center published its first Directory of Sculpture Parks and Gardens, it contained 97 entries. By 1996, with the second edition of the directory, this number had climbed to 195, an extraordinary increase.
Peter D. Cole: Civilizing the Bush
Reeds, rocks and stars, 1998. Painted and patinated brass, aluminum, steel, and bronze, 273 x 117 x 55 cm. It is unusual to find an artist who has the ability to combine opposites so that the spectator’s eye is seduced and the mind is unaware of the inherent contradictions.
3 Australian Women Exploring the Landscape
Janet Laurence, Trace Elements (exterior view), 1997. Sandstone from demolished buildings and text. View of installation at the National Trust, Sydney, Australia. Australia owes a lot to the international fashion for installation and site-specific art. Under the influence of artists such as Joseph Beuys and Richard Long, this country moved from the representational sculpture characteristic
Interview with 1st Floor Artists
Artist-run galleries in Australia in the ’70s and ’80s defined themselves as outside the conservative cultural structure. In the ’90s, artists’ spaces like Melbourne’s 1st Floor Gallery manage projects as if they were small businesses, with a high profile usually reserved for commercial galleries.
Sylvie Fleury, John Armleder, Antony Gormley
Los Angeles ACE Gallery The installations of Swiss artists Sylvie Fleury and John Armleder, filling an entire wing of this massive gallery… see the full review in the print edition of September 1999’s Sculpture magazine.
Antony Gormley
Sylvie Fleury, John Armleder, Antonv Gormley ACE Gallery Los Angeles The installations of Swiss artists Sylvie Fleury and John Armleder, filling an entire wing of this massive gallery in L.A.s Miracle Mile district, have a hard-edged, impersonal toughness about them.
Guy Dill
Santa Monica Bobbie Greenfield Gallery For the last decade, California based artist Guy Dill has created abstract sculptures that establish poetic progressions between circular, elliptical, and arc forms… for the full review see the print edition in September 1999’s Sculpture magazine.
