Charleston
Signs and Wonders
A number of contemporary artists explore the liminal world between the technical and the human while also demonstrating a millennial longing for transcendence….see the full review in December’s magazine.
Basel Art Fair 1999
Overwrought artophiles who trekked to Basel on the tall of the Venice Biennale were not disappointed… for the full review see the print edition of November 1999’s Sculpture magazine.
Claes Oldenburg and Coosje van Bruggen
Venice Museo Civico Correr Claes Oldenburg and Coosje van Bruggen welcome visitors to their Coner Museum retrospective with Lions Tail (1999) … for the full review see the print edition of 1999’s Sculpture magazine.
Giuseppe Uncini
Pesaro, ltaly Pescheria Center for Visual Art This summer the annual sculpture exhibition at the Pescheria featured works by Giuseppe Uncini… for the full review see the print edition of November 1999’s Sculpture magazine.
Anselm Kiefer
Bologna Galleria d’Arte Moderna The catalogue for “Stelle cadenti” (Shooting Stars), Anselm Kiefer’s exhibition at the Galleria d’Arte Moderna in Bologna… see the print edition of November 1999’s edition of Sculpture magazine for the full review.
Pipilotti Rist
Paris Musee d’Art Moderne de la Ville de Paris For her first solo show in France, Pipiloni Rist invented a fictitious character named Himalaya… for the full review see November 1999’s print edition of Sculpture magazine.
International Sculpture Center 1999 Outstanding Student Achievement In Contemporary Sculpture Award
The International Sculpture Center is proud to present the winners of the 1999 Outstanding Student Achievement in Contemporary Sculpture Award. This annual award was founded in 1994 to recognize young sculptors and to encourage their continued commitment to the field of sculpture.
Undetermined Pleasure and Unnecessary Beauty: An Interview with Richard Deacon
Richard Deacon prefers to call himself a fabricator. Several aspects of Deacon’s self-perception as a sculptor, as well as his conception of the place and role of sculpture, are wrapped up in this label. He says, “Material and its manipulation are core areas in what I do.
