London Riverside Studios When approaching the work of Fiona Foster, the following question arises: What are these objects?… for the full review see the print edition of October 1999’s Sculpture magazine.
Portrait of the Atom as a Force Diagram in Space: Kenneth Snelson’s Digital Excursions
Kenneth Snelson’s large-scale sculptures of steel tubes and wires have gained international recognition in exhibitions and collections worldwide. However, Snelson’s interest in the construction of matter has also produced an entirely different line of work on a submicroscopic level: his on-going art work “Portrait of an Atom.”
Annet Couwenberg
Wilmington, DE University of Delaware, Art Department The work in Annet Couwenberg’s latest show demonstrates both a plurality of technique and a singularity of purpose… for the full review see the print edition of October 1999’s Sculpture magazine.
Escondido Phoenix ’99
Malibu Installed in the rustic Escondido canyon of Malibu, this outdoor sculpture exhibition featured works by 10 Los Angeles-based artists… for the full review see the print edition of October 1999’s Sculpture magazine.
Michael Beatty and Mike Newby
Boston The Gallery @ Green Street The Gallery @ Green Street is an alternative space located at the entryway to an Orange line subway station in suburban Boston that would not be there… for the full review see the print edition of October 1999’s Sculpture magazine.
Nancy Rubins
New York Paul Kasmin Gallery ln her recent large construction of used airplane parts at the Paul Kasmin Gallery, Nancy Rubins offered a new position with regard to the recycling of materials… for the full review see the print edition of October 1999’s Sculpture magazine.
Cecilia Vicuña and Lenor Malen
New York Art in General The traveling exhibition by Chilean born sculptor, installation artist, performer, and poet… for the full review see the print edition of October 1999’s Sculpture magazine.
Raymond Saa Stein and “In My Room”
New York White Columns Raymond Saa Stein’s installation Lindo Yambu was part of White Column’s ongoing series of solo exhibitions for artists unaffiliated with a New York gallery… see the full review in the print edition of October 1999’s Sculpture magazine.
