Pittsburgh Carnegie Museum of Art Ernesto Neto, Navedenga, 1998. Stocking, styrofoam, and sand, approximately 12 x 15 x 21 ft.. Very seldom have the Venice Biennale and the Carnegie lnternational taken place in the same year.
Terry Albright
Boston Boston Sculptors at Chapel Gallery Terry Albrighr, Shelter, 2000. Phragmites, grasses, and leaves, installation view. Making art from natural materials has become something of a cliche for environmental sculptors, so much so that it takes a finely honed sensibility to create something fresh without falling into an aesthetic morass.
Sol LeWitt
New York P.S. 1 Sol LeWitt, Concrete Block, Cinder blocks, site-specific installation at PS.1. More than 30 years ago, Sol LeWitt published Sentences on Conceptual Art, a series of statements that more truly functioned as imperatives than comments in regard to systemic and conceptual art.
“Unboxed: Sculptures in Cardboard”
Walnut Creek, CA Bedford Gallery at the Dean Lesher Center for the Arts “Unboxed: Sculptures in Cardboard” presented the work of three artists, each of whom transforms this seemingly prosaic material into strong and ambitious work.
Agnes R. Katz Plaza
Pittsburgh Seventh Street and Penn Avenue Louise Bourgeois, Daniel Urban Kiley, Peter Meyer, and Michael Graves, Agnes R. Katz Plaza, Pittsburgh, 1999. Louise Bourgeois, in collaboration with landscape architect Daniel Urban Kiley, his assistant Peter Meyer, and architect Michael Graves, has transformed the Agnes R.
Alesha Fiandaca and Sophie Touzé Wargnies
San Francisco Quotidian Gallery Alesha Fiandaca, Nine Stories, 1999. Clay, 20x20x8in. A recent exhibition of work by two strikingly original emerging artists, Alesha Fiandaca and Sophie Touze Wargnies, was a little like strolling through an essay by Georges Bataille.
A Resonant Alchemy: An Interview with John Van Alstine
John Van Alstine is widely known for works that combine stone, steel, and found objects (sometimes industrial in origin and sometimes natural or manmade forms cast in bronze). The work is abstract yet allegorical, exhibiting an ongoing narrative that is carried forward by the artist’s alchemical combination of forms and materials.
Artists Talking: Creating a New Space for Public Discourse
As artists are linked in new networks, what will happen to the way we interact? …see the full feature in May’s magazine.
Sadashi Inuzuka
Philadelphia The Clay Studio Sadashi lnuzuka, River, 1999. Clay, installation views. Sadashi lnuzukas recent installation, River, repeated a formula that he has used frequently: that of spreading wet clay across the surface of the flood letting it dry and crack, and then hanging or installing on the wall above it fired clay sculptures that present
