Gabriele Stellbaum
New York Florence Lynch Gallery ln her first solo exhibition, Gabriele Stellbaum, a German artist living in New York, showed strong and exciting new work. A young artist experimenting with new media to great effect, she uses computer-generated imagery to create sculptural installations.
Critique & Compliance: Artists on Display
The museum is a conflicted and confounding territory for critique by artists…see the full feature in May’s magazine.
“Acoustic Architecture—Architectural Acoustics”
Amsterdam De Veemvloer lnstallation view of “Acoustic Architecture- Architectural Acoustics,” at De Veemvloer. Amsterdam’s Stichting Vedute (Vedute Foundation) recently held the exhibition “Acoustic Architecture- Architectural Acoustics, ” which required works to meet specifications set by guest curator Frans Bevers: “[Artists should] visualize their personal preoccupation with sound and space into the confines of 44 by
Sculpture and Architecture
Atlanta “Architecture?”Vaknin Schwartz Gallery“From Our House to Your House”Nexus Contemporary Art Center“Landscape-City: Photographs by Arwed Messmer”Goethe-Institute Atlanta“thinking loud/cutting through: architecture.art.film”Space 1 181 Kerry Schuss, 838 S. Broadleigh/Two Views, 1999.
“What are you looking at?” The Sculpture of Tony Oursler
Oursler animates the inanimate and explores both real and imagined space…see the full feature in May’s magazine.
Margaret Adachi
Santa Monica Robert Berman Gallery Things aren’t always what they seem. ln fact, in consumer culture they’re usually better. At least that’s what Margaret Adachi’s new installation, Pret-a-poulet, suggests. Exploring the chasm between reality and what the philosopher Jean Baudrillard calls hyperreality, Adachi parodies the processes by which consumer products both spearhead market desire and
Phil Frost
New York Jack Shainman Gallery While many graffiti artists have, over the last 20 years, made the leap from street into gallery as respected painters, a new generation is embracing sculptural installation as its form of expression, taking viewers into realms created in gallery spaces that convey urban themes and personal symbolism.
“There but for the grace of…Temporary Shelters”
Cleveland Here Here Gallery The opening exhibition of the 11,000-square-foot Here Here Gallery in downtown Cleveland, “There but for the grace of… Temporary Shelters,” drew viewers ranging from regular art patrons, office workers, and homeless advocates to devotees of the Cleveland Orchestra, temporarily located just down the street.
