New York Pardo/Lattuada Gallery When the sculptor Sal Romano told me that he began his career as a painter and that he was deeply influenced by Cezanne… for the full review see the print edition of May 2001’s Sculpture magazine.
“Reservation X, The Power of Place in Contemporary Aboriginal Contemporary Art”
New York National Museum of the American Indian The success of “Reservation X” lies in a notion central to contemporary native art-the belief that collective experience is not only deeply political but also aesthetic and ethical… for the full review see the print edition of May 2001’s Sculpture magazine.
Jaume Plensa
New York Galerie Lelong and Richard Gray Gallery Jaume Plensa is a remarkably inventive and thoughtful artist, whose expression goes in the direction of aphorism… for the full review see the print edition of May 2001’s Sculpture magazine.
Damien Hirst
New York Gagosian Gallery Damien Hirst, one of the original YBAs and their undeniable ringleader, does more than make art… for the full review see the print edition of May 2001’s Sculpture magazine.
Rachel Berwick
New York Brent Sikkema The art of Rachel Berwick is about loss… for the full review see the print edition of May 2001’s Sculpture magazine.
Jane Schneider
New York June Kelly Jane Schneider is a sculptor taken with wood. Her organic, usually free-standing forms consist of pieces of wood that rise and curl and connect… for the full review see the print edition of May 2001’s Sculpture magazine.
Barbara Zusman
Galisteo, NM
Del Geist, Brower Hatcher, and Tim Prentice
Hamilton, NJ
“Unnatural Science”
North Adams, MA
William Harby
Lincoln, MA