Cuban-born artist Fernando Rodriguez considers himself a collaborative artist. His partner and muse is a fictional character named Francisco de la Cal. De la Cal is Rodriguez’s alter ego (a blind, humble carbonero, or charcoal maker, who like his creator, is an artist, albeit self-taught.
Half Fairy Tale, Half Snare: Robert Gober in Venice
His installation in the U.S. pavillion is quiet, reflective, spare and allegorical …see the full feature in November’s magazine.
Narrative, Humor, and Craft: Paths to a Middle Ground
Three contemporary sculptors employ narrative to lure the viewer into the work…see the full feature in November’s magazine.
Serge Spitzer
Colonge, Germany Why simply drive over a bridge…see the full review in November’s magazine.
Dispatch: Venice Biennale
Although the whole city of Venice…see the full review in November’s magazine.
Jussi Heikkilä
Helsinki, Finland Soaring and trapped; wings and…see the full review in November’s magazine.
“Between Space and Time”
Seattle The touring exhibition “Between Space”…see the full review in November’s magazine.
Michael Aurbach
Nashville Filled with hidden symbols like…see the full review in November’s magazine.
“Orchestral Maneuvers”
Pittsburgh “Orchestral Maneuvers” was a…see the full review in November’s magazine.
Fran Siegel
New York “Interference,” the title of Fran…see the full review in November’s magazine.
