Part 1 In the 1960s, as his sculpture first achieved international acclaim, Morio Shinoda indulged himself with one small luxury. He bought a Porsche sports car. It was the joy of his life. He endlessly posed for photos with his car, and he drove it until there were no miles left in it.
Influence, Exchange and Stimulus: A Converstion with Sir Anthony Caro
Installation view of “Caro at Longsides”: (left) Goodwood Steps, 1996, varnished steel, 395 x 650 x 3,340 cm.; (right) Index, 1994–2001, rusted steel, 274 x 301 x 159 cm. Sir Anthony Caro is widely regarded as being the most important of the postwar British sculptors, one whose influence on the aptly named New Generation group was
Toward a Restructured Sculpture Curriculum
Nestor and eight other sculptor-educators discuss the state of art and education today….see the full review in March’s magazine.
Michael Lyons: Liberating Possibilities / Cultural Connections
New directions in Lyons’s work extend his reach as a sculptor and teacher….see the full review in March’s magazine.
Dispatch: The Biennial of Valencia
The Biennial of Valencia, newly initiated…see the full review in March’s magazine.
Jiri David
Prague Jiri David uses whatever materials…see the full review in March’s magazine.
Jannis Kounellis
Prato When Jannis Kounellis selects…see the full review in March’s magazine.
Bojan Šarčević
Amsterdam I remember my first taste of globalism…see the full review in March’s magazine.
“Close Encounters”
Leeds The making of sculpture is a fascinating…see the full review in March’s magazine.
Folkert de Jong
Amsterdam Seven people in German military…see the full review in March’s magazine.
