WASHINGTON, DC Addison Ripley Fine Art Yamaguchi’s sculptures, like elegant Rorschach inkblots, tease with allusion even as they morph to dazzling abstraction.
A Re-Enchanted 59th Venice Biennale, Part II: Collateral Projects and Museum Exhibitions
The joy of the Venice Biennale goes beyond the Giardini and Arsenale (explored in Part I), with collateral projects and exhibitions that entice you to get lost in the magnificent city and discover art shows within the extraordinary Venetian palazzos, churches, and museums.
Improvising and Transforming: A Conversation with Abraham Cruzvillegas
Many of Abraham Cruzvillegas’s projects are linked by the notion of autoconstrucción, or self-construction—a concept that draws from the ingenious and collaborative building strategies used in his childhood Mexico City neighborhood.
Fernando Casasempere
LONDON London Mithraeum Bloomberg SPACE There is the literal sense of stripping away layers to reveal what’s underneath, word play well-suited to a venue situated above the remains of a subterranean Roman temple and equally relevant to the Chilean artist’s core interest in the archaeology of memory and time.
All That Remains: A Conversation with Rachael Louise Bailey
In “Thirst of the Tide,” Rachael Louise Bailey presents a story of documentation, which easily flips to become a documentation of storytelling.
Creaturely Connections: A Conversation with Dean Kenning
Welcome to a future that has always been, where resurrected technology suggests everlasting life and highlights an end point. These are the possibilities and contradictions inhabiting Dean Kenning’s unique kinetic sculptures.
Sheilah ReStack
HALIFAX, NOVA SCOTIA The Blue Building Gallery For ReStack, “control” is the chimera that we reach for in the face of uncertainty. As curator Emily Falencki writes, “ReStack explores the way her identities—mother, lover, artist, friend—are filled with the anxiety and wonder of being (and not being) in control of connection and outcome.”
Palabras Irreverentes: Una Conversación con Sebastian Andreatta
“Artista visual, productor musical, técnico de sonido y emprendedor. Interesado en ciencia, nuevas tecnologías, diseño y big data,” así se auto-define Sebastián Andreatta (alias BiH), quien apenas pasando los 30 años, desarrolla una obra preponderantemente urbana donde combina afiches, intervenciones e instalaciones sitio específico así como acciones y performance en la vía pública de carácter
Intense Reactions: A Conversation with Celeste Martínez Abburrá
The work of Argentinian artist Celeste Martínez Abburrá focuses on the body as social metaphor and fragile physical entity—an embodiment of identities, a container expressing thoughts and feelings, a structure for doing, and a host to disease.
