The work of Liam Gillick needs to be entered through the totality of his practice. His artwork is intimately interwoven with his work as a critic, writer, curator, and designer. What he makes for the gallery space manifests, explicates, and proposes a complex of ideas that he is concerned with in all aspects of his
“Blickachsen IV”
Bad Homburg, Germany Slowly but surely it is becoming…see the full review in January/February’s magazine.
“One Hand Clapping”
New York One of the main points of…see the full review in January/February’s magazine.
“Up in Arms”
New York The phrase “weapons of mass destruction”…see the full review in January/February’s magazine.
Tomoko Takahashi
Los Angeles Tomoko Takahashi’s mammoth installation…see the full review in January/February’s magazine.
Olga Ziemska
Oronsko, Poland Tightly stacked and rolled together…see the full review in December’s magazine.
John Chamberlain
New York Motion, emotion, Futurism, formality…see the full review in December’s magazine.
Mark Hipper
Cape Town, South Africa Mark Hipper moves freely among…see the full review in December’s magazine.
