Zvika Lachman’s passion as an artist is refined, austere, and articulate. He is a self-possessed artist, an artist who comprehends his own sense of being in relation to others….see the full feature in July/August’s magazine.
Spiral Jetty: The Re-Emergence
Seen from a hilltop at the north end of the Great Salt Lake, open-range grass and sagebrush stretch north, the pastel Wasatch Mountains lie low along the eastern skyline, and distant islands float in mirages to the south and west.
Sharon Que
Rochester, Michigan Sharon Que has developed an expansive…see the full review in July/August’s magazine.
Beer, Art and Philosophy: A Memoir
by Tom Marioni, San Francisco: Crown Point Press, 2003. Introduction by Thomas McEvilley. 223 pp. With illustrations by the author The subtitle and leading epigraph to Tom Marioni’s memoir, Beer, Art and Philosophy: A Memoir is appropriately, “The Act of Drinking Beer with Friends Is the Highest Form of Art.”
“The Paper Sculpture Show”
Long Island City, NY SculptureCenter All of us have probably made a few paper airplanes or tried our hand at origami, but this innovative exhibition “The Paper Sculpture Show” lets loose 29 contemporary artists to come up with inventive ways you can turn ordinary sheets of paper into sculpture.
Tomoaki Suzuki
New York At first glance, the gallery looked…see the full review in June’s magazine.
Berlin Biennial 2004
Berlin Biennials are platforms that engage the…see the full review in June’s magazine.
“Inside/Outside/On the Wall”
Riverdale, New York Hebrew Home for the Aged Joel Perlman, High Circle, 1997. Steel, 120 x 60 x 48 in. The Hebrew Home for the Aged at Riverdale occupies a beautiful site in the northwest corner of the Bronx, where it sits overlooking the Hudson River.
FIAC and “American Artists in Paris”
Paris and Giverny The Foire Internationale d’Art Contemporain…see the full review in June’s magazine.
Types of Insurance that Sculptors Regularly Need to Obtain for their Studios, Employees, and Exhibitions
Just when it seemed that things couldn’t get any worse: the worst happened to Charles Ginnever. In the spring of 2003, the sculptor, who divides his time between Vermont and California, was given two months to leave the house and studio he had been renting for 13 years in the West Coast town of Petaluma:
