Atlanta “The Cast” marks Michael Lucero’s rediscovery…see the full review in January/February’s magazine.
“Disparities and Deformations: Our Grotesque”
Santa Fe For the past 15 years or so…see the full review in January/February’s magazine.
Nature into Art: A Conversation with Emilie Benes Brzezinski
One of Gianlorenzo Bernini’s most moving sculptures represents Daphne, pursued by Apollo, being transformed into a laurel tree….see the full feature in January/February’s magazine.
Tony Oursler’s Uncanny Drama
As a member of the generation that was raised on television and a witness to the ongoing expiosion of new electronic media, Tony Oursler realizes that technology is capable of controlling and even dehumanizing us as a race….
Working in the World: A Conversation with The Art Guys
Jack Massing and Michael Galbreth met in 1982 while they were students at the University of Houston. They began making work together the following year, and, after graduating in 1994, they started to exhibit together under the nom de guerre The Art Guys….
Misbehaving in Miami: A Conversation with Jac Leirner
Sao Paulo-based artist Jac Leirner is a complete creature of the global economy. She is an enthusi- astic some would say rapacious-consumer:…see the full feature in January/Februarys magazine.
Elliptical Narratives: A Conversation with Una Walker
I met Una Walker a year before her graduation from Ulster Polytechnic, supervising her thesis and watching her construct a kind of floor sculpture-cum-installation (Finite and Bounded) at Lombard Street, Belfast. In the tight wires and exact geometry of this work, which sat at the end of an elongated room like an altarpiece, I recognized some dominant qualities—precise
Wellington Reiter’s Visitor Station for the DeCordova Museum
Lincoln, Mass. Frank Gehry started it: an explosion of architectural forms, a divorce between form and function that freed the designer to experiment with sculptural qualities. The new visitor station at DeCordova Museum and Sculpture Park, designed by Wellington Reiter, is an understated version of Gehry’s modus operandi, but we have to count it in
