Ever since Jessica Stockholder nailed a red mattress to the weathered exterior of her father’s garage (without his permission) and titled it Installation in my Father’s Backyard (1983), her deliberately ramshackle work has been praised by critics for demolishing the boundaries between painting, architecture, and sculpture …see the full feature in May’s magazine.
Abbotsford, Victoria, Australia Within Without: Elisabeth Weissensteiner Chapman & Bailey Gallery
“Appearances are a glimpse of the obscure.” * Spiked Egg , 2003. Transparent paper, packing tape, and pins. 25 cm. long. Elisabeth Weissensteiner’s sculpture describes the body’s seemingly parallel universes of inside and outside. The very act of viewing her sculpted skins is a process that describes the forms’ oscillation between fragile beauty and something more
Careers: Artists as Directors and Curators of Art Spaces, College Galleries, and Museums
Most artists don’t know what kind of career they will have, or if they will even have a career, but sculptor Jock Reynolds knew he was making a career-changing decision in 1983 when he took over the directorship of the Washington Project for the Arts (WPA), a nonprofit multi-disciplinary art space in the District of
EU Accession Exhibition of the Hungarian Sculpture Society
Budapest Since the fall of Communism, the city…see the full review in March’s magazine.
Massimo Ghiotti, Mindaugas Tindziagolskis and Gintaras Karosas
Vilnius, Lithuania Europos Parkas Open Air Museum of the…see the full review in March’s magazine.
Cristin Millet
Utica, New York After a three-month residency at Sculpture…see the full review in March’s magazine.
Sofi Zezmer
New York Sofi Zezmer’s color-infested forms reach…see the full review in March’s magazine.
Erick Swenson
New York The numerous definitions of contemporary…see the full review in March’s magazine.
Eve Ingalls
New York Articulating various perspectives on the…see the full review in March’s magazine.
Christopher Chambers
New York Curious space-age forms come to life…see the full review in March’s magazine.
