New York Many readers will recall the thrill of…see the full review in April’s magazine.
Dan Peterman
Chicago ln Dan Peterman s latest exhibition…see the full review in April’s magazine.
“Lespri Endepandan”
Miami The Patricia and Phillip Frost Art Museum…see the full review in April’s magazine.
“Certain Traces”
Los Angeles “Certain Traces: Dialogue Los Angeles/Prague” extended…see the full review in April’s magazine.
Ala Ebtekar
San Francisco A first-generation American, born to Iranian…see the full review in April’s magazine.
Marsha Pels
New York Marsha Pels’s ambitious, compelling exhibition was…see the full review in April’s magazine.
Nek Chand Saini: Sculpting From Scrap
I stood surrounded by hundreds of strange beings, fantastical creatures arrayed around me in every direction. …see the full feature in April’s magazine.
The Weight of Memory: Zero Higashida
Sculpture has likely served a memorial purpose since its beginnings. It fulfills the melancholic ritual of acknowledging the dead, whose claim on us is as much physical as metaphysical. …see the full feature in April’s magazine.
“Public Art is Dangerous”: Dennis Oppenheim
Over the course of a much-honored, 40-year career, Dennis Oppenherm has created sculpture, conceptual art, Land art, and public art, with a long string of public art successes installed throughout the United States and Europe. …see the full feature in April’s magazine.
Tom Otterness: Public Art and the Civic Ideal in the Postmodern Age
One Sunday in late November near dusk, a family walks down Broadway toward Lincoln Center on Manhattan’s Upper West Side. As they approach 65th Street, the mother, a casually but stylishly dressed woman, says, “There’s a sculpture over here I don’t quite understand, but I think it’s hysterically funny.”
