Brooklyn Gae Savannah’s art is precious…see the full review in September’s magazine.
David Hammons
New York Playing on and with consumer waste…see the full review in September’s magazine.
Heide Fasnacht
Boston Well before 9/11, Heide Fasnacht was drawing…see the full review in September’s magazine.
Richard Swanson
Helena, Montana The 13-foot-tall “three-dimensional ink drawings”…see the full review in September’s magazine.
“The Comeback Exhibition”
New Orleans The gallery literature for “The Comeback Exhibition”…see the full review in September’s magazine.
Whitney Biennial
New York The 2006 Whitney Biennial resembled one…see the full review in September’s magazine.
Cornelia Parker
San Francisco During a 1997 residency at ArtPace in…see the full review in September’s magazine.
Robert Rauschenberg: A New Sculptural Idiom
Robert Rauschenberg’s Combines, created between 1954 and 1964, were revolutionary in the history of art. Leo Steinberg called them a “shift from nature to culture,” and his characterization is still the most successful critical description. Others have discussed the works as collages, grids, “definitive incongruity,” and “relaxed symmetry.”
David Eckard: The Object as Diary
Just before leaving his studio in Portland, Oregon, for a four-month residency in France at the Pont Aven School of Art last year, David Eckard worked feverishly to finish the sculptures—or “objects,” as he calls them—for his fall exhibition at the Manuel Izquierdo Gallery at the Pacific Northwest College of Art.
