Melbourne, Australia The image of Uluru, the massive monolith rising out of the desert in centraI Australia, is known worldwide….see the full review in March’s magazine.
Christian Bernard Singer
Waterloo, Canada Toronto-based Christian Bernard Singer recently used the architecturally aggressive exhibition space of the Canadian Clay and Glass Gallery as the setting for two works that employ both clay and glass elements while having nothing to do with the traditional craft associations of such materials….
Kazuo Kadonaga
Seattle Kazuo Kadonaga is a 59-year-old sculptor who has exhibited in the U.S. since 1981 and has studios in Los Angeles and Tsurugimachi, Japan….see the full review in March’s magazine.
Evan Penny
New York Arguably the most memorable exhibition of last fall, Evan Penny’s “No-One In Particutar” was distinctive for works that offer less an extreme realism than an alternative reality….see the full review in March’s magazine.
Cornelia Parker
New York Cornelia Parker continues to use instaltation as a means to critique contemporary culture….see the full review in March’s magazine.
Tony Oursler
New York ln his room-sized installation Studio: Seven Months of My Aesthetic Education (PIus Some), Tony Oursler created a visual feast….see the full review in March’s magazine.
Karen Kang
New York For her temporary installation at the Empire Fulton-Ferry State Park, with its remarkabte views of the East River, the Brooklyn Bridge, and the downtown skyline of Manhattan, carver Karen Kang showed Surround Within, a comprehensive sculpture made of wood and carved stones….
Christina Shmige
St. Louis Christina Shmiget’s Chinese Garden for the Delights of Roaming Afar was a poetic, purposefully bewildering, multi-room installation inspired by the artist’s recent relocation from St. Louis to Shanghai….see the full review in March’s magazine.
Dietrich Klinge
Grand Rapids, Michigan ln his first U.S. museum show, Dietrich Klinge reveals his probing concerns and expressive strategies, long familiar in his native Germany, but untiI now mostly unnoticed here….see the full review in March’s magazine.
