Anthony Caro (b. 1924), one of the world’s greatest sculptors, first achieved widespread recognition in the 1960s by revolutionizing accepted sculptural concepts. Although he is best known for his large-scale abstract works in steel, his more recent sculptural language has evolved into powerful installations of numerous components, as seen in works like The Barbarians and
Rachel Stevens
Santa Fe Rachel Stevens’s use of metal brings to…see the full review in March’s magazine.
Grabbing Emotions: A Conversation with Richard Deutsch
In contrast to many artists of his generation, Richard Deutsch fearlessly embraces beauty. Whether designing sculpture on a grand scale or producing pieces in his studio on the California coast north of Santa Cruz, he aims for work infused with feeling and meaning.
William Christenberry: The South of Fact and Dream
Any consideration of William Christenberry’s wide-ranging production during the past four decades must take into account the simultaneity of the American South as place and as idea. This odd cultural situation, in which both modes of being co-exist without exact delineation or differentiation, has lodged itself in the regional mind and in a larger cultural
Alexander Calder
San Francisco Peggy Guggenheim once told me that she wore…see the full review in March’s magazine.
Henrik Håkansson
Boston Human greed and our assumption of superiority…see the full review in March’s magazine.
Anish Kapoor
New York Anish Kapoor’s Sky Mirror, which was installed at…see the full review in March’s magazine.
Bucharest Biennial
Bucharest At the mercy of a limited set of…see the full review in March’s magazine.
