Portland, Oregon The Portland Art Museum’s comprehensive…see the full review in January/February’s magazine.
Betty Woodman
New York Betty Woodman is the first living clay…see the full review in January/February’s magazine.
Anna Maria Botero: Real and Imaginary Voyages
Anna Maria Botero didn’t intend to become a sculptor. Perhaps partly as a reaction to the success of her uncle Fernando, Colombia’s most famous artist, she started in biology, working with primates in her country’s jungles.
Yoshihiro Suda, Zon Ito, and Hajime Imamura
Osaka, Japan According to the museum, this was not one…see the full review in January/February’s magazine.
Peter D. Cole
Victoria, Australia Peter D. Cole’s “New Work,” his first…see the full review in January/February’s magazine.
Topography of the Soul: A Conversation with Ursula von Rydingsvard
Ursula von Rydingsvard is known for monumental works, usually in cedar, that evoke her Polish heritage, her hard childhood in Polish refugee camps in Germany, and childhood games and family. Her abstract compositions also evoke the body as a metaphor for our innermost yearnings and struggles.
Lucio Fontana
Venice “Lucio Fontana: Venice/New York,” curated by…see the full review in January/February’s magazine.
Charles Long
Newport Beach, California The works in Charles Long’s recent exhibition…see the full review in January/February’s magazine.
Ilan Averbuch
Katonah, New York Mark di Suvero once called Ilan Averbuch…see the full review in January/February’s magazine.
Karen LaMonte
Tacoma, Washington Karen LaMonte’s recent solo exhibition…see the full review in January/February’s magazine.
