Houston Katrina Moorhead’s hybridized objects are as…see the full review in May’s magazine.
Rick Parsons: The Salient Point
Rick Parsons’s sparely poetic sculptures combine the elements of earth with the simple alchemy of evaporation and oxidized steel. This confluence yields poignant statements about corporeal and environmental conditions. Their infused surfaces and surroundings imply memory altered and obscured by time; however, encrypted below the salt-encrusted forms, referencing chromosomes or crucibles, is a quiet outrage
Roberley Bell
New York Roberley Bell’s outdoor installation At Play comments…see the full review in May’s magazine.
“Adventures with Form in Space”
Sydney ln “Adventures With Form in Space,” curator…see the full review in May’s magazine.
Alan Michelson: Light on Shadowed Ground
Sifting through layered realities, Alan Michelson locates critical junctures in the life of occupied sites. His visual enigmas, both substance and illusion, probe the most elemental of relationships—the link between human beings and place. Encompassing a range of media, Michelson’s work has evolved from his beginnings as a painter grounded in the pristine panoramas of
Kaz Oshiro and Dan Douke
Santa Monica, California Los Angeles’ longstanding obsession with car culture…see the full review in May’s magazine.
Jan van Munster: Sculpture as Energetic Process
When faced with “difficult,” non-objective art, viewers most commonly want to know what the artist was thinking while making the work. Only rarely has an artist so openly documented his thoughts as Jan van Munster has with his Brainwaves.
Takeshi Shinohara
Gifu Prefecture, Japan The work of Japanese artist Takeshi Shinohara, which…see the full review in May’s magazine.
Alejandro Almanza Pereda
New York Alejandro Almanza Pereda explores risk as a concept…see the full review in May’s magazine.
