Christchurch, New Zealand As if to fulfill a tongue-in-cheek prophecy…see the full review in July/August’s magazine.
What’s the Point? A Conversation with Marcus Bering
Some viewers of contemporary art, particularly Minimalist art, have been known to ask the question, “What’s the point?” but it is highly unusual for artists themselves to raise the issue. However, such is the case with German artist Marcus Bering, whose minimalistic work draws from a variety of influences ranging from the thoughts, actions, and
Sean Healy
Portland, Oregon Sean Healy’s “Supernormal” offered an extended…see the full review in July/August’s magazine.
Ryan Humphrey
Dallas Ryan Humphrey’s work communicates on…see the full review in June’s magazine.
David Byrne
New York Multi-talented David Byrne is known for using…see the full review in June’s magazine.
Ed Zelenak: Mapping the Allegory
While Ed Zelenak’s sculpture seems to reflect that intense period when Pop Art and Minimalism occupied center stage on the arts scene, in hindsight one realizes that his works are highly individuated, with a narrative element, some allusions to science, and even allegorical elements.
“Elephant Cemetery”
New York “Elephant Cemetery,” curator Christian Rattemeyer’s final…see the full review in June’s magazine.
Karin Waisman and Marta Chilindron
Old Westbury, New York New York sculptor Karin Waisman was born…see the full review in June’s magazine.
Victor Grippo
New York Trained as a chemist and pharmacist…see the full review in June’s magazine.
Andreas Slominski: The Wisdom and Cunning of the Trap-maker
The motif of making and setting traps has fascinated German artist Andreas Slominski since 1984, when (as the story goes) he discovered a metal trap for voles in a shop. As he explored the trap’s mechanism, he realized that this type of device not only had important plastic qualities, but that it also offered him
