Hans Op de Beeck works across many disciplines. In addition to creating sculptures, immersive environments, short films, paintings, and drawings, he writes, directs, and designs sets for theater and opera and composes music.
Tools to Engage: A Conversation with Thomas Hirschhorn
For more than 35 years, Thomas Hirschhorn, who lives and works in Paris, has addressed political, economic, social, and cultural issues by creating spaces for thought and events.
Grada Kilomba
NEW YORK Pace Representing the ocean or a guardian female deity, the cloth is a synecdoche for a long history of migration journeys across global waters.
Suspended States: A Conversation with Camille Norment
Camille Norment shapes sound in relation to time, space, and the human body. Her work, which embraces sculpture, architecture, and history, explores sonic and social dissonance—as well as harmony—through her notion of cultural psychoacoustics, which includes the investigation of sound as a force over cultures, societies, and minds, as well as human and non-human bodies.
A Brief Guide to Sculpture Parks in the South of France
Beaches, vineyards, historic cities, and exceptional food, not to mention the Pyrenees and French Alps—the South of France certainly has no shortage of draws. Perhaps less known, however, are the region’s exceptional opportunities to experience contemporary art, much of it outdoors.
El llamado de la tierra: Una Conversación con Teresa Pereda
Licenciada en Historia de las Artes (UBA), investigadora y curadora, la artista Teresa Pereda se focaliza en la etnografía indígena como parte de los procesos de mestizaje y re-etnización vigentes en suelo americano.
Jan Lütjohann
HELSINKI Galleria Myymälä2 Jan Lütjohann works wood. Using hand tools and pre-industrial techniques, he creates elements that seem rudimentary, reductive, even downright plain, from which he then forms sculptural installations that reveal constellations of ideas and references.
Colors in Motion: A Conversation with Daniel Buren
Comme tombées du ciel, les couleurs in situ et en mouvement (As if fallen from the sky, the colors in situ and in motion), Daniel Buren’s spectacular color and light intervention at the Liège-Guillemins train station in Belgium, takes a precise approach to the notion of “as-is,” minimally altering yet radically transforming what already exists.
Tarik Kiswanson
STOCKHOLM Bonniers Konsthall While these meditative works convey solitude, stasis, and detachment, they also—like life’s transitory stages—embody transformation.
