Helen Mayer Harrison and Newton Harrison were invited to Taiwan earlier this year by the Council for Cultural Affairs. They gave lectures, toured sites, and held discussions with artists, environmentalists, scientists, government officials, and students and participated in a group exhibition at Taipei Artists Village.
Sculpture as Living Organism: A Conversation with David Altmejd
In 1998, when David Altmejd graduated with a BFA from the University of Quebec in Montreal, he was given two solo exhibitions and his work was featured in three group shows, all in Montreal, the city of his birth.
Dana Lynn Louis
Portland, Oregon There was a time when form was the…see the full review in December’s magazine.
Score for a Hole in the Ground: A Conversation with Jen Finer
With orchards and hop vines filling the fields, Kent is known as the garden of England. But there are also significant pockets of forested land across the county, which is located in the southeastern corner of Britain.
Shanthi Swaroopini
New Delhi Women and identity are oft-repeated themes in art…see the full review in December’s magazine.
Frankfurt Fine Art Fair 2007
Frankfurt This past April, the Frankfurt Fine Art Fair…see the full review in November’s magazine.
On Edge: The Sculpture Collection of Scott and Kelly Miller
Birmingham, Alabama, has recently emerged as a significant contemporary art center within America’s South. Leading the transformation are Scott and Kelly Miller, who bring an interest in grunge music, street art, and gothic skateboard culture to the local art scene.
The Underbelly of Beauty: A Conversation with Giordano Pozzi
Giordano Pozzi was born in New York in 1968. He studied architecture and industrial design, and his early work was influenced by American Minimalism. Now his artworks circumscribe, frame, and delimit complex space. The sculptures tell micro-stories, using a language that falls between abstraction and narrative construction.
Appreciating the Physical World: A Conversation with Donald Lipski
Donald Lipski’s work embraces principles of democracy and inclusiveness. With the freedom to make art out of anything at all, he embodies American ingenuity and resourcefulness. For almost 40 years, beginning with the acclaimed Gathering Dust (1979) at the Museum of Modern Art, he has taken pieces of detritus and cast-off objects and miraculously transformed
“Neue Kunst in Alten Gärten”
Lenthe, Germany This is the second time in two years…see the full review in November’s magazine.
