In 1979 Swiss artist Anna-Maria Bauer found the weathered shell of a turtle on the shore of the Walensee (Lake of Walenstadt). Fascinated by the beauty of the shell’s structure, she decided to follow the example of its natural order in her sculptural works.
“Art, Anti-Art, Non-Art”
Los Angeles The international Fluxus movement, which…see the full review in March’s magazine.
Tomás Rivas
Washington, DC Classical architecture received a contemporary…see the full review in March’s magazine.
Donald Lipski
Houston Donald Lipski is an encyclopedist of sorts…see the full review in March’s magazine.
Janet Echelman
Tampa, Florida Janet Echelman’s Line Drawing, composed of…see the full review in March’s magazine.
Time-Existence-Space: A Conversation with Wolfgang Laib
It is a hot day in southern Germany. The floor of Wolfgang Laib’s studio is covered with recent works soon to be shipped to New York for what will be his first exhibition at the Sean Kelly Gallery.
Dialogues in Diversity
This book gathers John K. Grande’s interviews with 16 artists from…see the full review in January/February’s magazine.
Axial Stones
George Quasha’s Axial Stones is a book about…see the full review in January/February’s magazine.
Lee C. Imonen: Nature, Technology, and Myth
Lee C. Imonen’s recent public sculpture is rich in references to nature, architecture and technology, myth, and the artist’s memories of childhood stories. Broadly cultural as well as personal, Imonen’s sculpture is also art historical, relating not only to 20th-century Modernist practice from Constructivism to di Suvero, but also to the Romantic cult of the
Martin Puryear: Spirit, Personhood, and History
Martin Puryear’s work muses on spirit, personhood, and history as a sort of antidote to the nation’s present identity crisis. His retrospective exhibition at the Museum of Modern Art, traveling until 2009 to the Modern Art Museum of Fort Worth, the National Gallery of Art in Washington, DC, and the San Francisco Museum of Modern
