Vulnerable Beauty: A Conversation with Cathy de Monchaux
Cathy de Monchaux made her imprint on London’s YBA scene with sculptures that evoked the chic, sadistic eros of The Story of O and the desires that Lou Reed sang about in his homage to Sacher-Masoch’s Venus in Furs.
James O. Clark
New York James O. Clark’s selection of new work…see the full review in May’s magazine.
Rune Olsen
Boston The young Norwegian-born, New York-based…see the full review in May’s magazine.
Manfred Müller: Contingent Space
German-born, Los Angeles-based Manfred Müller is best known for his installations: church pews in Mexico, painted soot-black and reconfigured so that the seats collide elegantly, or a “desk,” reconstituted from found office materials, jutting out of one window and re-entering through another.
Mimmo Roselli
Florence “Lineare” or “Line,” Mimmo Roselli’s recent two-part…see the full review in April’s magazine.
Victoria Palermo
Dallas Victoria Palermo rethinks the natural environment through…see the full review in April’s magazine.
Caroline Rothwell
Sydney Caroline Rothwell’s small glittering metal sculptures have…see the full review in April’s magazine.
Playing with Light and Space: A Conversation with Soo Sunny Park
Soo Sunny Park’s light-filled installations are simultaneously visceral and immaterial. They encourage viewers to explore the sensual effects of light and shadow, geometry, the natural landscape, and the wonders of physics. Her 2007 exhibitions included solo shows at the Fire House Gallery in Burlington, Vermont, the Knowlton School of Architecture in Columbus, Ohio, and Reeves
San Francisco: Sculpture in the Bay Area
Situated on the edge of San Francisco at Pier 14, flanked by the Bay Bridge and the Ferry building, by Claes Oldenburg and Coosje van Bruggen’s unmistakable bow and arrow monument, Cupid’s Span, and Mark di Suvero’s 70-foot kinetic sculpture, Sea Change, Louise Bourgeois’s Crouching Spider is poised and seemingly ready to march into the city.
