Venice, California Mark di Suvero’s new sculptures exhibit a…see the full review in September‘s magazine.
Anthony McCall: In the Flow
The French philosopher Alain Badiou once noted that art “must be as rigorous as a mathematical demonstration, as surprising as an ambush in the night, and as elevated as a star.”1 Few artworks live up to this aspiration better than the solid light films of Anthony McCall.
Tyree Guyton
Detroit Invisible Doors, installed at Wayne State University…see the full review in September’s magazine.
Nancy Cohen
Oceanville, New Jersey Throughout her career, Nancy Cohen has experimented…see the full review in September’s magazine.
Linda Ridgway: Intimate Castings of Experience
Linda Ridgway decided to work in bronze 20 years ago, adding her printmaker’s point of view to an age-old medium. She has exhibited widely since 1974, with solo exhibitions at the Dallas Museum of Art, the Glassell School of Art at the Museum of Fine Arts in Houston, the El Paso Museum of Art, Dunn
Learning from New Orleans: A Conversation with Shirley Trusty Corey and Mary Len Costa
While images of Hurricane Katrina and its aftermath are well known, other behind-the-scenes aspects of the devastation have not received much media attention. For instance, what happens to an art community when a disaster like this occurs?
Will Ryman
New York The first time I saw The Bed was at…see the full review in September’s magazine.
Gudjon Bjarnason
Old Westbury, New York
Corin Hewitt
Portland, Oregon In a precisely outfitted studio built within…see the full review in September’s magazine.
Alastair Noble: Imagination Made Material
Alastair Noble is an English sculptor living and working in New York. His diverse and compelling body of work includes resonant sculptures and installations that invite viewers to engage in a creative collaboration, and in so doing, to undertake their own imaginative journeys into a terrain where material, space, and ideas coincide in objects of